A kraken awakes in Belfast harbour, under the watchful eyes of working-class men on the waterfront in Belfast’s Sailortown, in front of local landmarks.
Street art by KVLR in Corporation Street.
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This is a second piece of street art by Dan Kitchener (web) in Bank Square, next to his painting of fast cars (Fast Enough So We Can Fly Away?): a painting of Jesus Of Nazareth for Crown Jesus Ministeries (web).
Replaces JMK’s The Whisper And The Wish.
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This new three-storey mural by Dee Craig (Fb) is at the city end of Newtownards Road and so serves as a highly-visible introduction to east Belfast. People arriving in the area are now greeted with a vintage image of a smiling bearded man in a cloth cap, surrounded by occupations from the industrial era: “Cobbler, rag’n’bone man, fish monger, welder, builder, sweep, carpenter, window cleaner, butcher”, capped off by an inspirational “Be your best”, with yellow highlights that match the colour of the shipyard cranes Samson and Goliath (see the third image).
In being overshadowed by the mural, the “Let’s Twist Again” sculpture on the plaza in front of the business centre now becomes a symbol of east Belfast rather than the symbol. It too features east Belfast’s “industrial past” (BelTel), using rope as a metaphor for community: “By being bound together in a common cause, the natural tendency for each twist, fibre, yarn, and strand to separate, only serves to make the rope stronger.”
On the wall behind the sculpture and below the mural is one of the Eastside Lives Heritage Trail (pdf) figures, Jane Scott, whose fifteen-year-old son Samuel fell to his death from a ladder while working on the ship in 1910. She supposedly cursed the ship and it sank two years later.
For a straight-on shot, see the post at the Paddy Duffy collection.
Images of the completed piece are from March 27th and 29th. The in-progress image below is from March 18th.
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“Pobal ag foghlaım, pobal ag forbaırt, pobal ag fás” [a community learning, developing, growing]
Students from “Naíscoıl & Gaelscoıl An Lonnáın (Fb) bun[aithe] 1999″ [Nursery-school and Irish-language [primary] school of the loney, founded 1999] are shown playing Gaelic games, Irish dancing, and playing traditional instruments (and the guitar). On the left are representations from Irish mythology: the Children Of Lear and Setanta killing Culann’s hound (and taking the name Cú Chulaınn in taking its place), along with hedge-row school (see Hedge Row School).
The origin of the name is unclear; the nearest loney [lane] was the “Pound” loney, so-called because of the animal pen just outside Barrack Street, used to store livestock before moving on to the markets the following day (Rushlight | Uachtar Na bhFál). (The Pound Loney is included in the mural in Durham Street – see Et In Arcadia Ego.)
The other well-known loney in Belfast is the “buttermilk loney” which was either/both what is now Ballysillan Park (that is, connecting Olpark with the horsehoe bend) or the top part of the loney that connected Wheatfield (the top of Ardoyne) to the Ligoniel junction and on towards the old Ligoneil House (there are a mixture of usages in this Belfast Forum thread); this image from the 1930s might show the lane in (what was still at the time) the hills above Oldpark; a new housing-development towards the top of the Ballysillan Park is euphemistically called “Buttermilk Loney”. (It is also said to have been a prior name of Skegoniell Avenue (Belfast History).)
(The Uachtar Na bhFál page also mentions “Turf” loney, “Mountain” loney, and “Killoney”.)
The history of the Irish word “lonnán” is unclear. Uachtar na bhFál says the word is of Scots origin (perhaps as “loanin”). (See this BelTel article on the opening of the Ulster-Scots centre in 2014.) Spelled “lonnen”, it is also a Geordie word (Heslop’s Northumberland Words | wiktionary). The Irish News and Belfast Live, working from the same (uncited) press-release about Páırc An Lonnáın (which is along the Westlink below Raıdıó Fáılte), state that “loney” comes from the English word “loaning”. The Irish word “lonnán” does not appear in Dinneen 1904; Dinneen 1953 defines it (hyper-specifically) as “a grassy recess running up into high basaltic cliffs”.
For more ‘in-progress’ shots, see the Paddy Duffy collection.
May 19th:
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“Mol an óıge agus tıocfaıdh sí [encourage youth and it will flourish, or less literally, youth responds to praise].” The emblems in the corners are of two local GAA clubs “Naomh Eoın” and “Caıırınéal [Caırdınéal] Uí Dhomhnaıll” – the “Joe Cahill Annual Tournament” was held at Easter at their two pitches.
Joe Cahill joined the Fianna in 1937 and was involved in the republican movement from then until his death in 2004, including being in Tom Williams’s company in 1942, and was later a founder member and Chief of Staff of the Provisional IRA.
The new board was launched on April 4th. This is the third Joe Cahill mural on this wall – see previously Joe, Tom, Frank (2005) and Perpetual Cup (2013). The long-time plaque on the wall has been removed.
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Castle Arcade is so-called because it is the site of the original castle of Belfast, built by the Normans in the late 12th century and then rebuilt by Arthur Chichester in 1611. Chichester’s castle had “spacious gardens which extended from the river along to Cromac Woods and near Stranmillis” with “orchards, bowling greens and cherry gardens … fish ponds,” for “hunting, hawking, and other sports”. It was destroyed by fire in 1708 after which the area became commercialised as a market (ArchiSeek | Mary Lowry | BBC | Belfast Entries).
By Friz (ig) and Gerry Norman (ig).
See previously: You’ve Got The Key Of The Street.
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The giant mural around the offices of Russell & Co solicitors in Newtownards combines legal imagery with famous north Down sites and people.
There are two main parts, in High Street and in Lower Mary Street. In High Street, we see Blair “Paddy” Mayne; the Jordan ‘Hissing Sid’ Formula 1 race-car (Eddie Irvine, who is from Newtownards, drove for Jordan until 1996); a weaver working a loom (the image is from Waringstown, but is perhaps meant to represent local mills such as Walker’s or Ards & Webb); an image of the Ards TT.
In Lower Mary Street, from behind Scrabo Hill, Lady Justice weighs scales each containing Rodin’s statue The Thinker. We also see a modern agricultural tractor, as designed by Harry Ferguson; a portrait of James Russell who founded the solicitors’ firm in 1948; a Cessna light aircraft, presumably at Newtownarrds airport, the first purpose-built airport on the island (Ulster Flying Club); the former Ards Maltings; a sack of Comber Earlies.
Acting as a joining motif on both sides of the building are roses from Dickson Nurseries.
The mural was painted by Mark Ervine. The partially-completed mural was featured in the Financial Times all the way back in November 2018; it was eventually finished in 2021 and given an anti-graffiti coating this (2022) summer.
With thanks to Colin Haddick of Russell & Co.
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Two from Swiss artist Bust (ig | web) for HTN22, who describes his current work as “neo-pop”, combining pop art, cartoon characters, and traditional graffiti writing. The smaller piece is in Donegall Street, the multi-storey one can be seen from Kent St. A third, more casual, piece can be seen in Love, Loss, And Beyond .
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Carling last sponsored Celtic FC in the 2009-2010 season, which means that the heroes shown in this 2009 mural are another decade in the past. In the apex are Charlie Tully (of Belfast and Glasgow Celtic), Willie Maley (the first manager), Br. Walfrid (founder of the club in 1888), Billy McNeil lifting the European Cup in 1967, Jock Stein (player 1951-1957 and manager 1965-1978), while on the field are former players Henrik Larsson (1997-2004) and Jimmy Johnstone (1962-1965).
In the centre of the image, the team is “doing the huddle”, which is also practiced by Cliftonville.
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The Northern Ireland government’s coat of arms was approved for use in 1924, three years after the government was established. Its “supporters” – the red lion of Scotland and an Irish elk, carrying (respectively) Irish harp and De Burgh flags, and standing on a grassy mound with flax plants – were added later.
This mural celebrating the centenary of Northern Ireland’s creation, in the Woodburn estate, Carrickfergus, accurately shows the Tudor crown on the arms, as was used at the time of creation and prior to the Edwardian crown (WP).
For a similar design, see Defending Freedom From Hate in Highfield.
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Extramural Activity 