Here are three pairs of photos – courtesy of Andy McDonagh/Eclipso Pics – from the Buncrana Road between Coshquin and Bridge End, at the border between Northern Ireland and the Republic.
On the Republic side of the border, two boards are propped up on small trailers. The first reads “Israel/USA kill a classroom of kids every day” with a small drawing of a dove. Prior to the current (nominal) ceasefire, Palestinian children were killed at a rate of one every hour (Save The Children).
The second reads ,”US warplanes out of Shannon” illustrated by a bomber-plane and drops of blood. “Shannon Watch” is a web-site dedicated to tracking miltary activity at Shannon airport. According to RTÉ, 978 US planes used Shannon in the three years of 2022-2023-2024. The government maintains that such visits are not a violation of Ireland’s policy of military neutrality (WP).
From the road-sign just on the Northern Ireland side, “Welcome to NorthernOccupied Ireland”.
“She hasn’t a sword and she hasn’t a gun. But she’s doing her duty now fighting’s begun.” This entry updates the 2016 entry with details from the board – now almost a decade old – dedicated “To all the women of the Shankill” and highlighting the roles played by women during WWI as nurses and welders and in the Land Army.
The troops in the upper-middle part of the board are shown gathered outside the West Belfast Orange Hall, on the Shankill at Brookmount Street.
outside the Ulster Rangers Supporters Club (Fb) on the Shankill Road
For Remembrance Sunday, rows of hand-painted wooden medallions were attached to the railings at West Kirk Presbyterian to pay homage to the dead of the British armed forces.
This pair of hand-painted (and stencilled) boards is next to the Mount Inn on North Queen Street. Tiger’s Bay is loyal to the memory of “1690” and the service of the 36th Division in WWI in 1916.
Féıle An Phobaıl (web) is now headquartered in the renovated (BCC) St Comgall’s on Divis Street in Ionad Eileen Howell, and during this year’s (2025) festival is home to an exhibition called “Vibrant Colours, Violent Past”, the centrepiece of which is a 20-foot-long panoramic history of republicanism, with Wolfe Tone, James Connolly, and Martin McGuinness as pivotal figures.
A full legend of who’s who is given in the leaflet at the bottom of this entry. It also explains the genesis of the project, as follows:
“A few years ago I met a great friend of Ireland and art collector Darius Anderson from California who was here on a trip with his wife Wendy and hoping to see some new work by Irish artists, not only work destined for gallery walls but having been fortunate to be included on one of local guide Dee Morgan’s tours he developed a love for and focus on our world-recognised mural art tradition.
“Then last year on another trip here I was able to introduce Darius to my life-long friends and probably the most prolific contributors to our local landscape.
“From a casual meeting alongside Marty and Micky at work repainting the Vol. Kieran Doherty mural in Andersonstown came an inspired suggestion that we accept a challenge from him to tell our story graphically on a canvas rather than the usual brick wall, not just on canvas to hang on a wall in his gallery in L.A. but a canvas to cover the entire wall 20ft x 7ft!
“Excited by our positive response Darius wondered could we invite some loyalist artist/activist to contribute a similar large canvas celebrating the history of the British, Unionist, Loyalist community here.
“That was last July. This exhibition is a result of that meeting but also a chance for the public to remind themselves of our often colourful and unfortunately violent past. – Danny D, Muralist/Activist”
“History is like a rearview mirror! You must always check back but you must keep focused on the road ahead, otherwise you are going to crash!” (Similar wording was used in a piece – Painting From The Same Palette – painted by Danny D and Mark Ervine in 2008.)
The exhibition was launched on August 1st and also included four display boards featuring murals by Danny D (CNR) and Dee Craig (PUL) (Fb).
Display boards:
Images from the launch on August 1st, along with the two-sided leaflet:
The large Miriam Daly board in Oakman Street was temporarily taken down while symbols and slogans to mark the fiftieth anniversary (“1974-2024”) of the creation of the INLA on December 8th, 1974 (WP) were mounted.
The wall was completed by early December, 2024, and the roll of honour added in the top-left corner by the end of the month. Those listed are: Hugh Ferguson, Danny Loughran, Brendan McNamee, Miriam Daly, Ronnie Bunting, Noel Little, Jim Power, Matt McLarnon, Joe Craven, Paul “Bonanza” McCann, Thomas “Ta” Power, John O’Reilly, Mickey Kearney, Emmanual Gargan, Gino Gallagher, John McColgan, Patrick Campbell, Christopher “Crip” McWilliams, Harry O’Hara, Barry “Bar” McMullan, Martin McElkerney, James McWilliams. The last five post-date the Agreement, starting with Patrick Campbell, who died in 1999 at the hands of drug-dealers in Dublin (Irish Times | Bel Tel).
“Stop the slaughter – ceasefire now”. A pro-Palestinian board was added to the “International Wall”, Divis Street, and launched on November 4th. The previous Saber Al-Ashkar mural — His Land, His Legs, His Life — has been mostly painted over, with part of the mural remaining at the top and the image of a man carrying a wounded child perhaps deliberately left to the right of the board.
The image represented would appear to be an from social media (probably AI-generated, as no one can say who is depicted or where) of children sitting among their ruined house, surrounded by broken toys, including SpongeBob and Pudsey Bear, with the boy using an incorrect Palestinian flag to cover the girl.
Here are two panels from the front yard of Gaelscoıl An Lonnáın (which recently acquired a new mural).
Above, Lear’s four children are turned into long-living, singing swans by their jealous step-mother Aoıfe, and are restored 900 years later to human form by the pealing of a chapel bell and the touch of a Christian monk. For more on the myth, see The Children Of Lear (and also the story of the mermaid Lí Ban in Sea-Born).
Below, a compilation of local landmarks: Broadway cinema (see At The Pictures), St Peter’s pro-cathedral (see Mysterious Ways), Conway mill (see The Mill), the Corporation Public Baths (and swimming pool), later the Falls Road Public Baths, and here called “The Falls Swimming Baths” (for a reminiscence of the baths, see Belfast History), and the fountain in Dunville Park. The cinema is no more; the baths have been replaced by a leisure centre; the mill stands but functions as a cultural centre.
There is now a mural in Stanhope Street of “Carrick Hill in the old days”, of two women talking in the street, to complement the four printed boards.
Below are two of the fifteen boards around the corner in Regent Street, showing the Carrick Castle public house and the old Unity flats.
Other boards in the collection (not shown) show street games, street parties, and Alton United football club, a team founded in 1921 that played in the Falls League and won the 1923 Free State Cup Final (Bohs Sporting Life).
Extramural Activity 