These bird-boxes and platforms were installed by Wild Belfast (web) – a group aimed at enhancing natural habitats – in order to attract house-martins, who visit Ireland in the summer in order to breed, but whose numbers are in decline because of a loss of nesting sites (under the eaves of houses) and building materials (mud).
The boxes are in front of street art by artist Daniela Balmaverde (web) on the end of one of the stands at Cliftonville FC (BBC) – the shamrock earrings are the club’s emblem.
Leitrim’s “literary heritage” is recognised by this large mural by Nik Purdy/Blow Designs (ig) in Main Street, Carrick-On-Shannon. Clockwise from top we see portraits and quotes from …
Canon [William] Slator: “You’ll never find more beauty/Peace and welcome all combined/Than along the Shannon River/where your cares are left behind.”
Nora J Murray: “There are silver waters lapping/Under arches grey and brown/When the swans come up the river/To the bridge in Carrick town”
John McGahern: “I think fiction is a very serious thing, that while it is fiction, it is also a revelation of truth.” (2000 interview)
MJ McManus: “The people came to drink the soup/Ladled from greasy bowls/They died in whitewashed wards that held/A thousand Irish souls” (from the poem ‘Eighteen Forty-Nine’)
Susan Mitchell: “No bigger than a bulrush./I beside the rushy Shannon cry./There are no children on the shore./The singing voices sing no more./The sea draws all the rivers down./And love has sailed from Carrick town.” (from the poem ‘Carrick’ – Google Books)
The monument in front of the mural is also to Mitchell.
Love Hearts turn 70 years old in 2024 – they were originally included in crackers for the Christmas season in 1954. Over the years, the messages on them have changed, and various specialty versions have been produced, including for Prince William’s 21st (in 2003) and a recent collaboration with YoungMinds with affirmative messages (Swizzels | WP). The messages on these “Love tHeArts” – imagined by FGB (ig) in North Street, Belfast city centre – are perhaps less “Marry me” and “Be mine” and more “Fund me” and “Follow me on Instagram”.
See also Eat To The Beat for another Swizzels sweet – the drumstick – by FGB.
A new painting of Amelia Earhart has been created by JEKS (ig), on the side of the Foyle building, North West Regional College, on Queen’s Quay. A number of sources claim without citation or measurement that it is the tallest piece of street art in the north – both the BBC and the Chamber Of Commerce use the passive “thought to be”. Its closest competitor would be the recent piece by Zabou on the Telegraph Building in Belfast – see Broken Promises.
The Foyle Building has six “levels” (NWRC) while the original Telegraph Building had four storeys (Archiseek). In addition to comparing images of the two paintings, you can also judge by comparing Street View images of the buildings: Derry vs Belfast.
Information about Earhart’s connection to the Maiden City can be found in the entries on the printed board (But What Do Dreams Know Of Boundaries?) and the mosaic (Flying Solo) to Earhart in Derry.
JEKS did eventually fill in the hair (and so cover over his instagram handle) on the lower portrait.
The two passages cited here have been cited before on the side wall at the junction of the Limestone Road and N Queen St, with images of Orange symbols and Union Flags, in order to promise that Your Kingdom Will Endure Forever. That theme has now been invoked in upper Tiger’s Bay, to celebrate the latest king (Charles III) of the everlasting kingdom demarcated by the shields of the “four nations” in the corners of the main gable, Northern Ireland included.
The people in question in the second book of Samuel are the people of Israel but as with previous scriptural references on the lower wall (Lamentations | Chronicles | Revelations | Psalms | Genesis), the Protestant people in Ireland and Britain are under discussion (though they might also refer to contemporary Israel).
In the King James version, 2 Samuel 7:10-16 the prophet Nathan is speaking to David: “Moreover I will appoint a place for my people Israel, and will plant them, that they may dwell in a place of their own, and move no more; neither shall the children of wickedness afflict them any more, as beforetime, and as since the time that I commanded judges to be over my people Israel, and have caused thee to rest from all thine enemies. Also the Lord telleth thee that he will make thee an house. And when thy days be fulfilled, and thou shalt sleep with thy fathers, I will set up thy seed after thee, which shall proceed out of thy bowels, and I will establish his kingdom. He shall build an house for my name, and I will stablish the throne of his kingdom for ever. I will be his father, and he shall be my son. If he commit iniquity, I will chasten him with the rod of men, and with the stripes of the children of men: But my mercy shall not depart away from him, as I took it from Saul, whom I put away before thee. And thine house and thy kingdom shall be established for ever before thee: thy throne shall be established for ever.”
In Luke 1:31-33, an angel is speaking to Mary: “And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David and he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end.”
Palestinian artist Taqi Spateen’s (web | ig) second piece in Belfast is in Palestine Street in the Holylands of south Belfast, where he worked with Artists Against Genocide (ig) to produce a piece showing the strength of Palestinian women, carrying the land from which Palestinians have been evicted in the Nakba of 1948.
For the first piece, in Kent Street in the city centre, see Anatomy Of Oppression. A third piece was painted in Crocus Street, in west Belfast: see Life Finds A Way in the Paddy Duffy collection.
In May and June, Palestinian artist Taqi Spateen (web | ig) toured various cities in England and Scotland (Leeds, Glasgow, Bristol, Stroud, London) as part of the Bethlehem Cultural Festival, producing a wall-painting at each stop. Thereafter, he came to Belfast, where he painted three pieces, beginning with this small piece on the side of the Sunflower bar in Kent Street, showing a person with a head encased in concrete trying to hammer themselves free.
Francis “Frank” McKelvey grew up at 56 Woodvale Road (based on Lennon Wylie and the blue plaque on the wall at this address – Street View). That would put him a stone’s throw from Woodvale Park, which provides the backdrop for this new mural at the end of Woodvale Street. The photograph reproduced, of “Woodvale park pond”, can be seen on the Old Shankill Fb page. The pond was filled in after the second World War (City Council). McKelvey’s ‘A Summer’s Day‘ is perhaps of Woodvale Park pond. He died in 1974 (Ulster History Circle).
By Holly Hooks (ig) in Woodvale Street, west Belfast.
Beat Carnival Belfast (ig | web) puts on celebrations all over town and teaches skills from its base in Millfield/Brown’s Square. Artists Danni Simpson (ig), Codo (ig), Ana Fish (ig), and FGB (ig) worked together to spray this piece on the Gardiner Street door.
Extramural Activity 