“Let others come after us – we welcome the chase.” The exterior wall of the Carrickfergus Rangers Supporters Club presents a gallery of the club’s managers from 1899 to 2018. In order they are William Wilton, Bill Struth, Scot Symon, David White, William Waddell, Jock Wallace, John Greig, Graeme Souness, Walter Smith, Dick Advocaat, Alex McLeish, Paul Le Guen, Ally McCoist, Stuart McCall, Mark Warburton, Pedro Caixinha, Graeme Murty, Steve Gerrard (and since then, there have been Giovanni van Bronckhorst, Michael Beale, and (currently) Philippe Clement).
The title is the Arabic translation of the Irish “Tıocfaıdh ár lá” taken from a Belfast mural, Freedom In Arabic. (“Tıocfaıdh ár lá” is commonly given in English as “our day will come”; Google reverses the Arabic into English as “Our day is coming”.) At the other end of the block (and above Fight The Rich, Feed The Poor) is a French or Spanish “Viva la resistance”; presumably intended to be “Vive la résistance” or “Viva la revolución”. But it’s a principle of interpretation at Extramural that the spelling (or the quality of the art) is not the point when people feel they are not being heard. In this case, the message is clear: “Free Palestine”.
The inverted red triangle has become a symbol of support for Palestine and Hamas, apparently because of its use in Hamas videos to indicate Israeli targets being blown up (Middle East Monitor | Al Jazeera video), as though a kind of cross-hairs.
In this Derry art, the red triangle has been given a Banksy-style presentation as the balloon of a child (reminiscent of Girl With Balloon in London and, given the context, Flying Balloon Girl in the West Bank) walking beneath the Lecky Road underpass.
Heba Zagout (ig) was a Palestinian artist and teacher who painted Palestinian women and scenes from everyday life, including one from 2022 of holiday fireworks over a Bethlehem skyline that includes both churches and mosques. (You can see the original acrylic on the Painting For Palestine facebook page). The painting has now been reproduced as a mural on the International Wall in CNR west Belfast. She and two of her children, Adam and Mahmoud, were killed in October in an Israeli air strike on Gaza. (Middle East Eye | Guardian)
The next mural (to the right) can be seen in Broken Family.
The image above is from February 7th. January 29th:
Here is a completed mural from the Painting For Palestine project (Fb) on the International Wall, Divis Street, Belfast, showing a man holding an injured child against a backdrop of razed buildings in Gaza. It is now 125 days since Israel began its war on Gaza in response to the Hamas attacks on October 7th and images of parents carrying their dead and injured children, and of the devastation of Gaza’s buildings, are now all too common – here is an Al Jazeera gallery from December.
This entry chronicles (in reverse order/from latest to earliest) the painting of one of Saïd Hassan’s (ig) contributions to the Painting For Palestine (Fb) project that is currently transforming the International Wall on Divis Street in west Belfast. The piece appears to be inspired by the mass grave in Khan Younis (in the Gaza Strip) in which more than 100 corpses were buried in November (Al Jazeera video | Reuters gallery).
Hassan’s instagram post of his original artwork cites a few lines from Palestinian author Ghassan Kanafani (WP): “Let’s plant them as our martyrs in the womb of this soil thickened with bleeding … there is always room in the ground for another martyr.”
The beach scene at the back of the Shankill leisure centre has existed since at least 2002 (J1439) and perhaps 1996 (C04937). The activities of the holiday-makers are (from left to right) crabbing in a tidal pool, wind-surfing, sandcastle-building, donkey-riding, and swimming; on the far right a dolphin is leaping.
Here are images of murals from the interior and the outside patio of the Rangers Supporters Club (Fb) in Carrickfergus. January 2nd, 1971 – included in the panel above – is the date of the Ibrox disaster, in which 66 people died (WP). “Fleshers’ Haugh” [Butchers’ Low-Lying Meadow] – included in the panel below – is the part of Glasgow Green where Rangers played their games in the first three years of the club’s existence (Scotland Guide). Edmiston Drive (above) and Copland Road (third image) are streets adjacent to the stadium.
In January 2024, in response to the prolonged Israeli attack on Gaza, many murals on the “International Wall” on Divis Street were painted out and work began on reproductions of artworks by artists from Palestine and elsewhere in the region. The project was called Painting For Palestine and a Facebook page and GoFundMe page were launched.
According to Bill Rolston (Fb) (who can be seen in the second image, below), there was a plan last Autumn that Palestinian artists would create their own “international wall” and include murals designed by CNR artists. The Hamas attack on October 7 and the subsequent Israeli invasion on Gaza – now ongoing for 108 days – put paid to that project, and instead art by Palestinian painters is being painted in Belfast in support of Palestine. (Here is an NVTv segment on the project.)
The first (left-most) panel will reproduce a mural called ‘The Land Is Ours’ by Mohammed Alhaj, Abdullah Al Najar, Rami Al Safadi, and Abdel Hamid Fares that once stood in a Gaza school; the second, next to the first, is currently blank (see the image above).
Bill Rolston working on The Land Is Ours:
The source image for The Land Is Ours:
The grid and cartoon for a mural from digital artist Saïd Hassan (web):
Another image by digital artist Saïd Hassan, showing soldiers standing over dead children:
Marty Lyons at work on the mural:
A wide shot with the left-hand side of the wall in the foreground:
Four murals are being painted over what were previously Lenár Linn and Hunger Strikers (1916). The originals for these were designed by Ahmad Shaweesh (ig), Raed Qatanani (ig), ? [please get in touch], and Saïd Hassan (web).
Shaweesh’s piece is a deliberately unfinished image of a group of people, perhaps a family, in distress.
Qatanani’s image is a portrait of Soso and Omar Ashour as they sat in a Gaza hospital during the first week of the Israeli invasion.
The original artist of this figure with a phoenix is unknown.
The last of these four murals is by Hassan and shows a woman cooking over an open fire in front of a tent in a refugee camp.
January 17th:
January 20th:
Wide shot of the four pieces on the right-hand side:
“All gave some; some gave all.” During its twenty-two years of operation, 197 UDR soldiers were killed. The scroll on the left gives the dates of the regiment’s operation: 1970 (April 1) was the year it replaced the Special Constabulary, and 1992 (May 31) was the year seven of the nine battalions were amalgamated with the Royal Irish Rangers’ two battalions to form the (modern) Royal Irish Regiment (WP) – the piper in the top right is carrying a flag of the Royal Irish Regiment.
The inscription on the plaque reads: “Ulster Defence Regiment mural, dedicated on the 19th March 2016 by Chairman Roy Burton, Carrickfergus Glasgow Rangers Supporters Club [and] Chairman Stephen Weir, Carrickfergus Ulster Defence Regiment Association CGC. Lest we forget.”
Extramural Activity 