A picture from the courtyard of the Times Bar, on York Street, with both Northern Irish and Union flags, and the crest of the IFA, the association overseeing soccer in Northern Ireland. (Previously from the Times Bar.)
“Saint Malachy’s G.A.C. is more than a club. It’s our club. To participate is to represent your community and an expression of your cultural identity.”
A mural celebrating Gaelic games in the parish of St. Malachy/Naomh Maolmhaodhóg, in the Markets area of Belfast. The parish church – featured in the top centre – has a celebrated fan-vaulted ceiling (WP). This mural, on the other hand, features a highly unusual bay window.
A partly commercial, partly political, mural on the Abercorn Bar, Abercorn Road, London-/Derry/Doire. The figures with outstretched hands are a copy of Maurice Harron’s ‘Hands of Peace’ statue, which is at the roundabout roughly 250m away (where the bridge in the picture lands on the city-side of the Foyle river; the location of the pub is up the hill to the left). He has made a great deal of other interesting work too – check out the video of him at work on his web site.
As a member of the IRA, Price was jailed for the Old Bailey bombing in 1973, and her post-Agreement license was revoked in May, 2011, when she was charged, as a member of the Real IRA, in connection with the Massereene Barracks shooting of 2009 – she was sent to Maghaberry. IRPWA graffiti in Gartan Square, and at the Eastway roundabout, Derry.
Free Derry Corner, flying a tricolour, is at the centre of some wild-style writing, with BRY [Bogside Republican Youth] graffiti. On the Bogside shops.
This is the sixth mural by the Bogside Artists, commemorating the hunger strike. The main figure is Raymond McCartney, shown after 53 days on hunger strike in 1980; the female figure is perhaps Mary Doyle (the other two female strikers were Maıréad Farrell and Maıréad Nugent).
“Eastway Wall Art Project – a Re-Imaging Communities Programme – aims to help all communities in urban areas tackle the visible signs of sectarianism and racism and to create a positive welcoming environment for everyone. Living gallery envisaged by Creggan Enterprises and created by Guildhall Press & Tom Agnew. Signage and artwork fabricated locally by Globaltech. [acknowledgements] The Eastway Wall itself has undergone major refurbishment including the construction of two new pillars to frame the wall. The lower Eastway natural-stone tower maintains the historical link between Rath Mór and the Grianán of Aileach ring fort in Donegal. The higher Eastway structure comprises two sections of a factory chimney stack once located on the nearby Bligh’s Lane site and demolished in 2008. This was added to preserve an important link with the area’s industrial heritage.”
The image above shows the second through the eighth panel. A few of the info boards, including the main one, are shown below. (For the Creggan Story and its info board, see M05174.)
Above the panels shown, some panels just have single words in them – for five of these see Vibrant.