A sign on an advertising hoarding on Donegall Road, with a warning to drug dealers. (Not in a McDonald’s window, as previously stated.)
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Copyright © 2013 Seosamh Mac Coılle
X00978 anybody involved in drug activity of any kind anykind in sandy row will be told to get out
March 2013 is the 25th anniversary of the Michael Stone’s attack on mourners attending the burials of the Gibraltar 3 in Milltown cemetery. Stone killed three people. The mural combines images of mourners taking shelter from Stone’s attack with the civil war memorial in Ballyseedy, Co. Kerry (WP) which was famously connected to the Gibraltar 3 in a mural prepared for the return of the coffins to Belfast – see A Legitimate Right To Take Up Arms. (Here is a copy of Tragedies In Kerry.) Images of the mural in progress were presented in a previous entry. (See that post for the photographs on which the mural is based.) The Gibraltar 3 are portrayed on the left; Stone’s victims are on the right. In the top right is an IRA volunteer who had been shot two days earlier, on the night that the coffins of the Gibraltar 3 arrived in Belfast.
25 years ago – 1988 – puts us firmly in the era of video, and so you can see footage on youtube relating to each of these events:
Death On The Rock, a famous Thames Television production about the SAS killings of IRA members Maıréad Farrell, Danny McCann and Seán Savage on March 6th in Gibraltar.
Michael Stone’s attack on mourners at their funerals in Milltown cemetery, March 16th, which killed Thomas McErlean, John Murray, and Caoımhín Mac Brádaıgh (Kevin Brady).
Kevin McCracken funeral, March 17th (died on March 14th) at which British Army corporals Wood and Howes were killed.
The memorial depicted in the background of the mural is a civil war memorial in Ballyseedy, Co. Kerry (WP) which was famously connected to the Gibraltar 3 in a mural prepared for the return of the coffins to Belfast – see A Legitimate Right To Take Up Arms. Here is a copy of Tragedies In Kerry.
These pieces replace the Relatives Action Committee mural, later with Marian Price poster.
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Copyright © 2013 Seosamh Mac Coılle
X00979 maıréad dan seán kevin thomas caoımhín john milltown gibraltar free marian price another victim of british justice ı ndíl [ndıl] chuımhne
This piece in North Street, in the city centre, combines realistic buildings with honeycomb patterning run together with cloud-like spray-paint, threatening to envelope the impressionistic figure in the foreground. The surface is the shutter of a shop front. By emic/This Means Nothing for CNB 2012. (The hand in the bottom left can also be found around the corner in Garfield Street.)
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Copyright © 2013 Seosamh Mac Coılle
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On closer inspection, one can see images relating to WWI, the UDA, the William King Flute Band, and various arms of the military such as the Paras and B Specials adorning the Cathedral Youth & Community Centre/Centre For Learning & Development in The Fountain, London-/Derry/Doire. The close-up below shows a plaque in honour of David Warke, who founded the club in 1972 (Yellow Tom); the profile is perhaps also of Warke.
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Two new murals are going up side-by-side on the International Wall (Divis St.), a bookmark-style one for Marian Price and a large piece commemorating three IRA members killed in Gibraltar on March 6, 1988 (WP), IRA member Kevin McCracken who was killed on March 14th in Belfast, and the three who were killed by Michael Stone at the funerals of the ‘Gibraltar Three’ in Milltown cemetery, Belfast/Béal Feırste, on March 16th (WP).
We’ll have the finished pieces in a few days. Below, a wide shot of the Milltown scene, in progress, and below that, Marty Lyons working from a photograph of the incident, perhaps this second in this set, on which the left side of the mural is based, while the center and right-hand side are based on this one (by Bobby Ingram).
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Time becomes distorted under the influence of Guinness and Salvador Dali and his Persistence of Memory at the Duke of York, or more precisely, in the archway that leads from Donegall Street to the pub. Dali’s original is only 9.5 x 13 inches. This is the centre part of a larger mural; there are also three images of Dali in the windows above the archway (see T00766). The Spaniard bar in Skipper Street (one block south of the Duke Of York) also featured Dali on its sign.
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Copyright © 2013 Seosamh Mac Coılle
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“Derry” became “Londonderry” in 1613, but in 1689 at the time of the siege, as now, it was commonly referred to as “Derry”. The slogan of the defenders was “No Surrender” and the successful resistance to penetration gave rise to the epithet “The Maiden City” (WP).
Pictures of the unveiling of the plaque in 2009, which commemorates William Love, can be seen here.
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Copyright © 2013 Seosamh Mac Coılle
X00941 William Love 1908-1966 composer of flute band music was born near this spot; william attended cathedral school and worshipped in St. columb’s cathedral he played with the maiden city flute band churchill flute band and the hamilton flute band among his many compositions are senior service, stop in style, hale and hearty, cross and crown, and moore st. erected as a project of the maiden city festival aug. 2000
Another George Best reference in another mural at the Dark Horse/Duke of York. George Best quit Manchester United (temporarily) for Spain towards the end of the 1972 season (and quit United for good in 1974). The precise phrase — “Sod this, I’m off to Marbella” — and picture of Best playing keepsy-upsies in the sun come from a John Roberts book about Best. Nixon resigned on August 9, 1974 (WP). The Klondyke Bar was in (PUL) Sandy Row and bombed by the IRA in January, 1976.
This is just the left-most part of a large mural in the Dark Horse courtyard. (For the whole thing, see The Bar Is Called Heaven.) It is almost entirely black-and-white – the Guinness labels and betting slip from Eastwoods are exceptions. If you recognize any of the figures, please leave a comment. The photographer in the top right is Bill Kirk | some pictures at the RBG.
There is a signature of sorts in the top left: “Two cold, hungry muralists for hire. Phone Danny D[evenny] and Marty L[yons].”
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Copyright © 2013 Seosamh Mac Coılle
X00961 burns laird line glasgow, tom carnduff songs of an out-of-work, nunu talent contest, guinness, eastwoods, belfast telegraph he urges a time of healing ford will take office today moves into whitehouse
Local readers will hopefully be able to help identify the people (and the horse, and the crab on a fishing line) staying in the Europa Hotel, as depicted in a new (late 2012) board/construction at the Dark Horse/Duke Of York. Artist Ciaran Gallagher has a collection of pictures of the piece being constructed and installed.
According to WP, the Europa was bombed 28 times during the Troubles (which would explain the damage and the abseiling paramilitary on the left?), and Bill and Hillary Clinton’s entourage took up 110 of the 240 rooms when they stayed at the Europa hotel in 1995. In the foreground, George Best balances a ball bearing the words, “I spent a lot of money on booze, birds and fast cars. The rest I just squandered.” Is there some particular reason why the “E” is the euro sign?
Previously from the Dark Horse/Duke Of York: Big Brother Is Watching. Below is a wide shot of the whole.
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The Irish went to America, the pigs went to England. “Beware! Pigs Crossing. Bacon curing was one of the city’s oldest industries. People fattened pigs in their back yard. The women delivered them to the factories close to the quays in case their men spent the pig money on drink on the way home.”
Straight-on shot below …
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Extramural Activity 