Realistic image of a female face in profile by Irony (Fb | Tumblr) for CNB15 just off Berry Street towards the Royal Avenue end. You can see the image he was working from at deviantart. The earring is borrowed from the piece next door, which we’ll feature tomorrow.
A snake wrapped around a rod is the symbol of Asklepios, the healer, but this fearsome creature is wrapped around a spear and they both seem headed for a victim rather than a patient. CNB15 work from Spanish street artist Sabek (Fb)
Here is the CNB15 piece by MELS2 (Fb), showing (in the wide shot, below) four bloody hands, with blood red nails, belonging to a blonde-haired, black-lipped woman looking askance at the viewer. The inspiration for the work is Dublin photographer Monika Lejman/Mona Leymann.
The wave of people seeking asylum from political strife in Europe continues.”Fáılte romhaıbh a chaırde” is Irish for “Welcome, friends” while “Qaxootiga soo Dhaweyn” is Somali for “Refugees welcome”. Somalis make up about 9% of the current wave of migrants from Africa and Syrians 33%. (Irish Times) 2,000 refugees are to be settled in Northern Ireland. (belfastlive) The yellow-on-black outline of parents and daughter running originates in the United States, used on ‘caution’ signs along highways near the US-Mexico border. For images of the mural’s launch on September 12th, see the WARN twitter feed.
Dublin artist James Earley (Fb) was in Belfast last week for Culture Night (CNB15 ) and painted this large-scale horse on the side of the National Grande Café. A wide shot and in progress shot are below. Here is a short video of Earley discussing his work; this piece is in a less-definite stained-glass style than previously – see his Wolf for CNB14.
Street art is often vandalised (see: the whole of Cupar Way and also A Short Treatise On The Ephemerality Of Art in which NIKO destroyed Praise’s CNB12 piece) but rarely is the vandal a commercial company drumming up business.
In a first for Belfast murals, speech balloons have been added to the Ring Of Peace mural in Waring Street to advertise office space. They read “Forget it, Muriel. I’m moving my business to CQHQ without you!” “Oh Jeff … It’s too close to the City Centre! I want to be with nature …”. We hope that indeed the ad does move away from the “muriel” – the balloons appear to be pasted over the mural, rather than painted on.
The speech-balloons are in fact an improvement over the earlier complete covering of the mural (paperjamdesign). In a less successful part of its media strategy, the business’s web site, at cqhqbelfast.com, appears to be non-functioning.
Report and video on the corporate vandalism from BBC-NI.
A view of east Belfast from the perspective of the children in a nursery school in Beechfield and Westbourne Streets: the modes of modern travel, including the Seacat, and a long-standing symbol of industry, the ever-present H&W crane.
Among the sweepings at the site of the former RUC barracks are placards from Sinn Féin Youth (Fb), one bearing a (never-before-seen) Red Power flag (WP). “End social injustice”.
The Kashmir Bar on the Springfield Road gets a face-lift with a mural of the old Kashmir Bar, including the boast that it was home to the best singers in the west. A look at the Kashmir Bar Facebook page reveals that pool seems to be the foremost activity. For a photo of the old (green-fronted) bar, see D00283. (There is also a small image on the Belfast Forum.) If you can identify any of the locals pictured, please comment or e-mail.
William Connor (later William Conor) was born in the Old Lodge area of Belfast (in 1881) close to the location of the new bronze statue shown in today’s images, which is at the corner of Northumberland Street and Shankill Road, replacing the UVF/Shankill Protestant Boys (see M02457). The info board (shown below) describes his methods in capturing the Belfast street scenes for which he is most famous: “Conor was developing a spontaneous drawing technique by recording quick impressions, and it soon became a habit for him to go out into the streets with a newspaper, which contained loose leaves from his sketchbook. When he saw anything of interest he leant against a lap post or wall, took out his newspaper as though he were simply reading the sports results and sketched away.”