On a barn wall in Ballycarry, County Antrim: a African youth (perhaps Ethiopian Mursi tribe) with painted face and a headdress of warthog tusk and aluminium coils. (By Liquid Colour Design – see also The Craic Is Mighty)
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Fiddling in the north of Ireland is common to both Nationalist and Unionist communities and the “old Antrim” style is influenced by Scottish playing (USFO).
Mural by Liquid Colour Design on the wall of Millar’s pub in Ballycarry, County Antrim.
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Children from Botanic Primary school and art students from University of Ulster Student Union painted a series of animal pairs (created by Vikki Lutton) and geometric panels on the wall of the Stranmillis embankment. Above we have wolves, below there are elephants, and in the wide shot, sea lions. ‘In progress’ images from UUSU | P4 schoolchildren.
UUSU was also responsible for the Seamus Heaney mural (The Hunting Heart).
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X02570 X02567 X02569 X02568 uusu christine campbell colm mcparland jessica snoddy vikki lutton claire mcloughlin esther twieg jose varandas terri ogle pbni pact
Ballycarry village sits in County Antrim countryside surrounded by the townlands of Ballyhill, Redhall, Forthill, Blackhill, Aldfreck, Lochstown, Beltoy, Bentra. The large pale oval to the right of the picnickers is one of many “seeds” falling from the sky and settling into the earth, which by growing make Ballycarry a pleasant place: “I can see Scotland on a clear day”. The Mutton Burn Stream (lyrics | music from the Ulster-Scots agency) is a song written by Ballycarry resident William Hume (QUB) about the river to the north-west of the village (WP). More about Ballycarry from the BBC’s Ulster-Scots page.
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X02596 X02595 X02594 firm friendship time cannot kill flower of remembrance togetherness fields cows butterfly pheasant horse cart milk sheep snail worm haystacks stream
James Connolly was concerned not just with the political independence of Ireland but its economic independence: both political and economic liberty were required in order for the human being to live freely. The quote in the image above comes from Connolly’s 1897 essay “Socialism & Nationalism”. The economic context is clear when we read a little more broadly:
“To the tenant farmer, ground between landlordism on the one hand and American competition on the other, as between the upper and the nether millstone; to the wage-workers in the towns, suffering from the exactions of the slave-driving capitalist to the agricultural labourer, toiling away his life for a wage barely sufficient to keep body and soul together; in fact to every one of the toiling millions upon whose misery the outwardly-splendid fabric of our modern civilisation is reared, the Irish Republic might be made a word to conjure with – a rallying point for the disaffected, a haven for the oppressed, a point of departure for the Socialist, enthusiastic in the cause of human freedom.” (marxists.org)
Takes the place of Padraig Pearse’s “The fools, the fools …“
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X02581 5th june 1868 – 12th may 1916
The St. John Vianney youth club board in Cooke Street has been replaced with a mural. The elements are the same – the ‘success’ key still unlocks the world in the palm of a hand and the message is “Why are you trying so hard to fit in when you were born to stand out?” – but the colour-scheme is now various pinks.
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This mural in Carrick has a 3D element: 312 wood poppies were hand-painted and attached to the wall, one for each local man who did not return. By artist Gary Orr. Full shot below.
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Copyright © 2015 Extramural Activity
X02501 X02502 Carrick Council, Boots Chemists, Sandra Pyper Ltd, Rustic Wood, Dalaradia, Gary’s Menswear, Robert Stewart at the going down of the sun and in the morning we will remember them
The Bobby Sands mural in Sevastopol Street has been given a facelift, including the blocking-up of a vent on Sands’s left cheek. Kieran Doherty and Joe McDonnell have been added in place of the 1798 medallions on each side. On the side-wall are Sean McCaughey, ten doves representing the 1981 hunger-strikers, and Long Kesh. Aerosol‘s accordion-player stencil has been also been retained.
For a full history of the wall, see the Bobby Sands (Sevastopol Street) Visual History page.
Ag sráıd Sevastopol cuımhnıtear ar Bobby Sands ı múrmhaısıú a aithnıtear ar fud an domhaın. Ba scrıbhneoır, file, réabhlóıdí agus díograıseoır Gaeılge é Sands. Fuaır sé bas 5 Bealtaıne 1981 tar éıs 66 lá ar stailc ocraıs. As ucht na dıograıse a thaıspeáın Sands agus a chomhchımí ı leıth fhoglaım na teanga faoı choınníollacha uafásacha Bhlocanna H na Ceıse Fada, spreagadh glúın úr chun dul ı mbun athghabháıl na Gaeılge.
Here at Sevastopol Street Bobby Sands is remembered in a mural which has become world-renowned. Sands, a writer, poet, revolutionary and Gaelic enthusiast, died on May 5th 1981 after 66 days on hunger strike. Sands and his fellow prisoners inspired a new generation to reclaim the Irish language enthusing them by the huge efforts they put into learning Irish in the horrendous conditions on the H Blocks of Long Kesh.
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X02586 X02588 X02587 everyone Republican or otherwise has their own particular role to play our revenge will be the laughter of our children joe mcdonnell i’ll wear no convicts uniform nor meakly meekly serve my time that Britain might make Irelands fight 800 years of crime ira volunteer
The life of a child in the New Lodge of the 1900s was one of poverty, disease, mill work, and being displaced by German bombers in 1941, with only a lamppost swing and marbles for relief. (It was also in black-and-white.) The struggle for young people’s rights “to be loved, to family life, to freedom of expression, to life, to your own beliefs, not to be bullied, to be safe from war, to privacy, to play, to be happy” continues in the panels on the right-hand side (for a close-up, see Young People’s Rights).
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Copyright © 2014 Seosamh Mac Coılle
X02423 tom mcelwee mickey devine linen tram irish news bronchitis
Patrick O’Connor was born on this day in 1924 on the lower Falls but after his father emigrated he spent his early years – until age 5 – with his grandparents in East Street in the Markets. It was as a high-schooler in New York that he adopted the name Pádraıc Fıacc (“fıach dubh” is “raven”) and began writing poetry. He settled in Glengormley upon his second and final return; it is not clear that he ever saw East Street lined with British Army soldiers, as shown in the mural above. He wrote of his early life in ‘First Movement’:
Low clouds, yellow in a mist wind
Sift on far-off Ards
Drift hazily …
I was born on such a morning
Smelling of the bone yards
The smoking chimneys over the slate top roofs
The wayward storm birds
And to the east where morning is, the sea
And to the west where evening is, the sea
Threatening with danger
And it would always darken suddenly
Some of Fıacc’s poems are in the TroublesArchive. There are two videos below. The first is an interview with NVTv’s Bernard Conlon; the second is of a reception in Belfast City Hall.
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