printed board/placard

This Is Not My Beautiful Art

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The Clements coffee shops in Belfast city centre closed in October, leaving only the two at Queen’s and UUJ (BelTel).

The abandonment of the Rosemary Street shop provides a space for art (see Visual History 11 on the rise of street art); replacing the Clements signage there is a “temp sign”: “And you may ask yourself, “Where is my beautiful signage[?]””.

Is this a plea for the return of Clements – a local chain – or investment in the city centre and a new business? Or perhaps it is meant ironically, as a protest against capitalism – the line is a modification of a lyric from the Talking Heads song ‘Once In A Lifetime’ (Stop Making Sense | Remain In Light), which describes a moment of awakening for the middle-aged and middle-classed: “How did I get here?”

On the permanently-closed shutters is a different kind of beautiful signage, a MOSCO throw-up.

See also: Crosseyed And Painless.

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The Scots In Ulster

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The name “Ulster-Scots” refers to the emigrants to North America from Ulster that had previously come from Scotland and the English borders, and most of the Ulster-Scots murals in the 2000s focused on emigration to America and on US Presidents with Scotch-Irish heritage (see the Visual History page of Ulster-Scots murals).

In 2017, a series of boards along York Street focused on industrialists in Northern Ireland with Scottish backgrounds: 13 panels in five posts: one | two | three | four | five. And this new collection of “Ulster-Scots” luminaries (which is 100 paces away) likewise presents figures who are associated with Northern Ireland rather than America. Modern folk such as those portrayed in these new boards presumably have Scottish heritage rather than Scotch-Irish. (The title of this entry – The Scots In Ulster – comes from a Discover Ulster Scots poster about the Scots who came to Ulster in the 1600s, regardless of whether or not they or their descendants later moved to America.)

From left to right, the people shown are as follows. (Links are to previous entries in the Extramural collection.)

Mountcollyer: motorcyclist Rex McCandless, author CS Lewis, physicist John Stewart Bell, song-writer Jimmy Kennedy, medical inventor Frank Pantridge

York Rd: snooker player Alex Higgins, singer Ruby Murray, soldier Blair Mayne, agricultural inventor Harry Ferguson, missionary Amy Carmichael

For the political tarp on the gable in the background, see Choose One Or The Other.

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Royal Visits To Carrickfergus

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William was granted the peerage “baron Carrickfergus” as a wedding present in 2011, which made Catherine/Kate baroness (WP). They visited the town in 2022 (BBC). The black-and-white photograph on the left is of Queen Elizabeth visiting in 1961 (youtube).

Replaces the kids mural We Are Friends in Hawthorn Avenue, Carrickfergus.

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Conscience

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“Cogús supports the republican prisoners”. Cogús (Fb) is (was?) the prisoners’ welfare arm of the RNU. The board above — using a vintage illustration going back to 1981’s I’ll Wear No Convict’s Uniform — replaced More Blacks, More Gays, More Irish on Pantridge Road, Dunmurry, joining the “Join RNU” and mental health boards shown below.

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The Zombie-Slayer

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This Castlemara, Carrickfergus, board is not remarkable so much for what it depicts — the new prince and princess of Wales, “baron & baroness of [sic] Carrickfergus” — but for what it replaces, namely, the Carrickfergus Eddie, which had been in place since (at least) 2000 — see Show No Mercy.

This means that there are no large murals of Eddie remaining; there are only some smaller versions of Eddie of boards or tarps. Eddie has his own Visual History page.

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Stop The Slaughter In Gaza

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“Stop the slaughter – ceasefire now”. A pro-Palestinian board was added to the “International Wall”, Divis Street, and launched on November 4th. The previous Saber Al-Ashkar mural — His Land, His Legs, His Life — has been mostly painted over, with part of the mural remaining at the top and the image of a man carrying a wounded child perhaps deliberately left to the right of the board.

The image represented would appear to be an from social media (probably AI-generated, as no one can say who is depicted or where) of children sitting among their ruined house, surrounded by broken toys, including SpongeBob and Pudsey Bear, with the boy using an incorrect Palestinian flag to cover the girl.

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Ulster & Israel

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“Ulster & Israel – brothers in arms”. The Uzi was developed in Israel in the late 1940s and became a general-issue weapon in 1956 (WP). It was used (and copied) by loyalist paramilitaries in Northern Ireland (Balaclava Street has a comprehensive history of loyalist weaponry) and appeared in a both UDA and UVF murals and graffiti: The Elite | Ulster Says No! To The Politicians | Sandy Row 2nd Batt | UFF Uzi.

Here is an article from TheJ.ca interviewing PUL politicians on their support for Israel and an Irish News article revisiting the issue in light of the current conflict. And loyalists have previously (since 2002? Irish Times | OU) flown the flag of Israel — see Gregg & Carson (2011) | View From The North Bank (2012) | The Young Conquerors (2013) | The United Nations (2014) | The Glorious Memory (2014) | Ulster Supports The People Of Israel (2018) | EU Hands Off Ulster (2021). But this is the first time that a symbol of violence has been used as the symbol of solidarity. (In republican muraling, see PLO-IRA (1982) | Women In Armed Struggle (1983).)

Tate’s Avenue, in the Village area of south .

The placard in the middle, between Brothers In Arms and “Sir E. Carson K.C., M.P.” was discussed in Stand Firm. The Winning Hand was seen previously in The Red Hand And The Winning Hand.

See also: Godfather Of The Israeli Army.

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Kragfargus Cultural Corner

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This is the second (at least) iteration of an installation along Taylor’s Avenue, Carrickfergus, showcasing the Ulster-Scots heritage of Carrickfergus and its later contributions to the United Kingdom.

The wall is 60 metres/200 feet in length and can be divided into about ten distinct panels – notes on the different panels are given below, following the order of presentation of images, which show the entire wall moving from left to right.

The original, as seen on Street View, included boards showing the Pretani Isles/British Isles, QEII, and Tom Moore. As seen here, there are now boards to King Charles III, a vintage postage stamp, ‘The Siege Of Carrickfergus’ in 1689, and ‘The Barn Mills Fallen’ of WWI.

Fair Fa’ Ye (or “fair faa ye”) is an (Ulster-)Scots blessing, “fair fall you”, meaning roughly “good luck” (Bloggin Fae The ‘Burn | r/scots | Nelson McCausland).

The stained-glass is called the Dalaradia Window. For images and explanation, see Picts Exiled From Alba.

For Dalaradia, see Kingdom Of The Pretani and the Visual History page on Cú Chulaınn.

James Orr, the ‘Bard Of Ballycarry’, was a contemporary of Robert Burns and a United Irishman. It does not appear that he wrote a poem with the line “I wish I was in Carrickfergus”.

Daniel Cambridge won his VC for service in the Crimean War (WP) and James Crichton for service in WWI (WP).

CarrickfergusHistory includes “the oldest know map of Carrickfergus” from 1560, employing the spelling “Kragfargus”.

The 2/6 postage stamp featuring Carrickfergus Castle was one of four in a “Castle series” in 1955 (WP).

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Love, Marriage, And Country

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This Castlemara, Carrickfergus, board is notable for its background, which follows that of old coronation and jubilee portraits. These would show the royal couple (and sometimes immediate family) in plush surroundings and standing in front of chairs. This style of composition has been seen in murals of George V’s jubilee in 1935 and George VI’s coronation in 1937 — see Visual History 01. In this board, however, Philip and Elizabeth are portrayed in old age and are not in coronation gear; the chairs shown are from the Throne Room in Buckingham Palace.

Also notable is that the board replaces a UDA mural – see Joint Manoeuvres. The other UDA mural in the estate — Carrickfergus Eddie — has also been replaced.

For the UVF/YCV gunmen in the background of the wide shot, see Out Of The Trenches.

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Stand Firm

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Two varieties of this “Stand Firm” placard are going up in PUL west Belfast: (above) “Power-sharing or protocol. Stand firm. There is no basis for power-sharing while the protocol remains. Equal citizenship.” and (below) “Power-sharing or protocol. Stand firm. Restore the acts of union. All UK citizens on an equal footing. Equal citizenship.” The context: Jeffrey Donaldson and the DUP have been making noises about a return to Stormont after a year of refusing to participate, which has led to criticism and the threat of “street protests” from hard-line unionists (BelTel).

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