Here is the final board in the new “St Patrick” set on Tates Avenue (and a wide shot of them all, below). This one explains the composition of the Union flag as a combination of the saltire of Saint Andrew of Scotland, the cross of Saint George of England, and the saltire of Saint Patrick of Ireland. As the text notes, the saltire is much later than the saint: “The association with Saint Patrick dates from the 1780s, when the Order of Saint Patrick adopted it as an emblem. This was a chivalric order established in 1783 by George III. It is often suggested that it derives from the arms of the powerful FitzGerald dynasty [which dates to the 12th century].”
The text ends oddly: “The saltire has occasionally served unofficially to represent Northern Ireland and [has] been considered less contentious than other flags flown there.” Similar language is used on the symbols.com page for the Saltire.
Featured today are two (more) of the boards in a set on Tates Avenue. The central board, shown above, shows a young Patrick (without the clerical garb in which he is often portrayed) against the backdrop of Slemish mountain, where Patrick is thought to have tended sheep as a young slave to a local chieftain, c. 401 AD and developed his Christian faith.
The second image is of colourings of the Saint Patrick profile by children from the nearby Donegall Road Primary School.
The boards were unveiled on March 10th, 2016 by first minister Arlene Foster who remarked that the saint had become “very Gaelicised” and this — and the presence of Irish tricolours at parades — deterred unionists from celebrating “the patron saint of everybody in Northern Ireland” (Belfast Telegraph; also contains video of the launch). Anglicanism venerates saints but Presbyterianism does not, generally taking the “communion of saints” to refer to all members of the church.
Here is one of the new boards on Tates Avenue (the others will be featured over the next two days). It shows a ship racing towards shore, superimposed over a 1659 map of Ulster by Blaeu.
“The Red Hand Of Ulster: According to legend Ulster had at one time no rightful heir. It was agree that a boat race should take place and that whoever’s hand first touched the shore would become king. One contended, upon seeing that he was losing the race, cut off his hand and threw it ashore to win. O’Neill is said to have been the chieftain who cut his hand off to become the King of Ulster. The Red Hand is a key emblem of Ulster’s identity, an ancient and powerful symbol that is traditionally shown as a blood red hand.”
Here are two murals from the Youth First (Tw) group in and around their Bogside home in Meenan Square. In the image above, a young mother sporting both a nappy pin and an Easter lily tends to her infant child while casting a look back at Free Derry corner and the silhouettes of marchers and washing on a line. The image below also shows Free Derry corner and the skyline of the city.
Ronnie Adams was born in Belfast in 1916. He began driving at age 11 and rallying at age 18. He is shown above in a Jaguar Mk. VII, en route to winning the Monte Carlo Rally in 1956, which was also around the time that he took over the family textile business from his deceased father — Adams remained an amateur driver his whole life.
This new mural of local landmarks — including centrally St. John The Baptist Anglican church — by Fra Maher was erected last November (2015) as part of a re-imaging and re-development project sponsored by the Housing Executive, and joins the art on the Woodbourne police station in brightening up the area — see Only God Can Judge Me.
The image above shows three members of the Royal Irish Constabulary outside Belfast’s Celtic Park in 1912. The event is perhaps a visit by Lord Pirrie, Winston Churchill, and John Redmond to speak in favour of the Home Rule bill at a meeting of the Ulster Liberal Association on February 8th. (You can see at ticket for the event at Decade Of Centenaries.) The meeting was originally to be held in the Ulster Hall, but this was blockaded by Unionist protesters (Irish History). According to one site, Churchill was “nearly lynched” by angry Protestants outside the grounds.
James “Jim” Doherty was six years old when he was shot while playing in the front garden of his Turf Lodge home in 1972. Relatives For Justice and the family launched the board shown above at the entrance to the estate last October in order to push for a new inquiry into the death due to the insufficiency of the original investigation and the disappearance of the bullet taken from the body. (Belfast Media Group)
Some residents of Ballymuprhy Drive have erected their own Irish-language street sign. The council has not erected one because a substantial number of residents did not respond to a survey. The primary resident behind the move, Eileen Reid, contends that the 2/3rds is unreasonable. (Irish Times | Belfast Live | Irish News)
Seán Mac Dıarmada was born in Leitrim, left for Glasgow at age 15, and after two years returned to Belfast in 1905 and – according to the new mural above – spoke from the back of a coal lorry in Clonard Street, outside the Clonard branch of the Ancient Order Of Hibernians. Mac Dıarmada was for a short time an AOH member, before moving on to the Irish Republican Brotherhood and Irish Volunteers, which led to his participation in the 1916 Easter Rising and execution on May 12th of that year.
The title of today’s post is historian F.X. Martin’s assessment of Mac Dıarmada, quoted in a pamphlet on Mac Dıarmada from the National Library Of Ireland. The NLI made many letters from and to Mac Dıarmada available in 2016. (See also this Irish Times write-up).
Extramural Activity 