Martin O’Neill takes Neil Lennon home after his haircut at Hoops Barbers on the Falls Road. Both are from Northern Ireland – Lennon is originally from Lurgan, O’Neill from Kilrea. O’Neill was manager of Glasgow Celtic when Lennon was a player. O’Neill now manages the Republic of Ireland squad and Lennon is now (since 2010) manager of Celtic.
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The Battle of Antrim took place on June 7th, 1798, as part of the Irish Rebellion of that summer. Led in the North by the Protestant Henry Joy McCracken, the rebellion met with initial successes in smaller towns, before failing in Antrim. In the full shot, below, the British soldiers can be seen in the distance.
The board above is in the grounds of The Roddy’s, a social club named after Roddy McCorley, another Protestant member of the United Irishmen, most famous for the song written about his hanging at the bridge of Toome in 1800. (Here’s a version by Tommy Makem.)
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Mothering Sunday 2014 was yesterday, Sunday March 30th. On Saturday, when this image was taken, menfolk were out and about tracking down flowers and chocolates. This week also happens to be the one-hundredth anniversary (“céad blıaın”) of the founding of Cumann Na mBan on April 2nd, 1914, and it is being commemorated in various ways, including a new mural on Ascaıll Ard na bhFeá/Beechmount Avenue.
Cumann Na mBan was the women’s division of the Irish Volunteers and is best remembered for its role in the Easter Rising of 1916. Its members were involved in the occupation of many locations. Some, including (non-combatant) Winifred Carney, were in the GPO, while Countess Markievicz, the main figure of the mural, was in St. Stephen’s Green. (Here is an RTÉ gallery of vintage photographs, including one of Markievicz surrendering.)
The letters “Cnamb” on a rifle formed the badge of Cumann Na mBan. The Irish “Ní saoırse go saoırse na mban” means “No freedom until the freedom of women”. Below are an ‘in-progress’ shot from last week; and a close-up of the finished mural. Below these is a plain shot of the full mural.
Replaces the Fıanna Éıreann centenary, 1909-2009, in which Countess Markievicz was also featured.
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Three generations of boards at the junction of the Falls and Glen roads: from most recent to least: Pearse Jordan (“Murdered by RUC! Covered up by PSNI”), Gibraltar Three (“I nDıl Chuımhne”; this was later realized on the Divis Street International Wall, see 25 Years), and a (presumably) IRSP board (“If there is to be a revolution, there must be a revolutionary party.” [Mao Zedong]). The oldest of the three appears to be the one in the best shape. The site itself used to be the Andersonstown RUC/Army barracks.
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Copyright © 2014 Seosamh Mac Coılle
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Protestants and the Irish language (Gaeılge) have been in the news again this week, as UUP councillors walked out of a North Down Council meeting ahead of a presentation on Protestants and Irish on Tuesday (BBC). This follows remarks by a Grand Master of the Orange Order, George Chittick, that Protestants should not learn Irish (video at BBC) prompted by the construction of a floor of the Skainos Centre for Irish-language instruction (BelTel).
The hoarding shown above (this one on the Andersonstown Road) is for a 2011 NI Department of Culture, Arts & Leisure initiative which hopes to make 4,000 people fluent in Irish by 2015. It features three Gaelic words which have passed into English – craıc, smıdıríní (smithereens) and bróg.
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A pig on a scooter. A disembodied head of Jesus of Nazareth (seen previously in One Love). And (below) the Springfield Road “peace” line.
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In the Cattle Raid of Cooley/Táın Bó Cúaılnge, the hero Cú Chulaınn, the main figure in the stained glass above, single-handedly defends Ulster by engaging in series of Queen Medb’s men in hand-to-hand combat as they attempt to secure the famous Ulster bull, which Medb wants in order to match her husband in possessions. Cú Chulaınn is eventually vanquished and the bull taken but, as can be seen at the bottom of the glass, the bulls fight each other and both die.
The piece is by Martin Donlin from East Sussex (pictured here at the unveiling in March 2012). According to Donlin’s Fb page, the old Irish at the bottom (“bendachtar cech óen mebraıgfes go hındraıc táın amlaıd seo ‘s ná tuıllfe cruth aıle furrı”) can be translated as “a blessing be upon all such as faithfully keep the Táın in memory as it stands here and shall not add any other form to it”. Here is a Flickr set of the piece in development.
Previously-featured City Hall stained glass: One Big Union | Famine Window | Centenary Window
See also the Visual History page, In The Shadow Of Cú Chulaınn.
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“Says Joe, ‘Those that they forgot to kill went on to organise.'” Words from ‘(The Ballad Of) Joe Hill’ are included in a mural in Conway Street sponsored by the Australian Electrical Trades Union (ETU) in Victoria.
Previous Australian-sponsored murals: Caırde Sınn Féın | Australian Aid
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The Strand Spinning Mill on the Newtownards Road in east Belfast began life as the Jaffe Spinning Mill, after Otto Jaffe, a Jewish-German emigrant from Hamburg who became a naturalized citizen, early benefactor of Queen’s University (in 1905 he contributed £3000) and twice Lord Mayor of Belfast. It quickly became the Strand Spinning Mill when he sold it to Mackies in 1912. The mill made munitions during WWI and viscose rayon during WWII. The mill closed in 1983 and now provides space to small businesses as the Portview Trade Centre.
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A burnt-out car in the shadow of St. Peter’s cathedral and at the back of the Maureen Sheehan Health Centre, just off Albert Street, which is infamous for “DHLA” (Divis Hoods Liberation Army) joyriding. The new murals in the area (such as Our Youth, Our Future) are part of an intervention project to improve it. 2014-12 update: there has been an upsurge in carjackings in late 2014 (BelTel).
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Extramural Activity 