Or, in Arabic, “قف ضد العنصرية”. Michelangelo’s ‘The Creation Of Adam‘ is re-imagined as an act of solidarity between Palestinians and Irish people.
Cliftonpark Avenue, north Belfast
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“The typist with the Webley: Winifred Carney – socialist, republican, freedom fighter, Irish Citizen Army, Cumann Na mBan, suffragist, trade unionist, revolutionary.”
Winifred Carney was a qualified secretary and typist, and became secretary of the Irish Textile Workers’ Union in 1912, in which position she met James Connolly, who was secretary of the Belfast branch of the ITGWU. She was a member of Cumann Na mBan and participated in the Easter Rising of 1916. Carney was in the GPO when it was taken over and was among those who surrendered at the end; during the occupation she typed up dispatches from the Moore Street headquarters – this is how she was portrayed in the the 1916 Centenary mural.
(DIB | Ulster Biography | A Century Of Women | BBC | WP)
Stencil from Lasaır Dhearg (web) in Glenveagh Drive, Lenadoon, west Belfast, replacing the simple graffiti Ní Saoırse Go Saoırse Na mBan.
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The 1st Ranger Battalion was formed in 1942 as the United States Army’s equivalent to the British Army’s Commandos and – after training at a camp in Carrickfergus – it saw action in France (at Dieppe (SOF History), resulting in the first US casualties of the war – WP), Algeria, Tunisia, and Italy. (There are four information panels at the Sunnylands shops about the formation and training of the unit.)
The insignia shown – which is here placed on top of the beret patch – is the insignia of the modern (75th Regiment) Rangers, with the lightning-bolt indicating the unit’s quick-strike abilities (SOF History); these are also alluded to by the motto “sua sponte”, meaning “of its/their own accord”.
This new art is by Dan Kitchener (web) in Victoria Parade, Carrickfergus, just outside the train station, produced in co-operation with Wonder Arts, the Communities In Transition programme from the Executive Office (web) and Carrickfergus Alternatives’ Peace Impact Programme (Fb).
It has been criticized by street-artist Wee Nuls (web) as glorifying conflict (ig), a charge the artist rejects, saying that it was produced in co-operation with locals and has been well received by them (MSN). (See also the reactions on the Let’s Talk Loyalism Fb page.)
The tank might be the M4 Sherman “Fury”. The tank appeared in the 2014 film of the same name (Bovington Tank Museum) used by the 66th Armor Regiment under the command of Brad Pitt; the film is perhaps the inspiration for the image (e.g. the scene in which the town of Kirchohsen is captured – youtube).
“Great love hath no man than this: to lay down his life for his friends – John 15:13”
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Here are a pair of ‘booked’ notices for competing loyalist groups – UDA and UVF – on adjacent walls in Queen’s Parade, Glengormley. Above, “Booked UDA” where the panels of The Longest Reign have come down; this wall is next to South East Antrim Remembers – see the wide shot below. And in the last two images, “Booked UVF”, which has been in place since 2015, and is next to How Nobly They Fight And Die.
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Two positive messages side-by-side in Castle Street: on the left, “Stop war” by Nathan Bowen (ig | web store) and on the right “Love conquers all” by ThisIsLostBoy (ig).
Here are three more by Bowen in Belfast: one | two | three
The image of the completed work (above) is from October 11th. Here (below) is an in-progress image from October 4th:
Poster around the corner in Queen Street, enquiring about a piece produced in 2024 in Beckenham, south London (the reference to “Oct 10th 2022” is unclear):
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“One world, one struggle – Ireland, Palestine”. Free Derry Corner is flying the Palestinian flag, both in cloth and in paint. As we approach the two-year anniversary of the October 7th attacks by Hamas, in which roughly 1,200 Israelis died, the death toll from the IDF invasion now exceeds 65,000 Palestinians (Al Jazeera). There will be a silent march of protestors dressed in black to the Guildhall on Saturday afternoon, October 4th, (Derry Journal), kicking off a “week of solidarity” from Rise For Palestine (Derry Journal); a programme of Think Left events begins on Friday evening (Derry Daily).
In the background (above) is The Petrol Bomber and (below) the Bernadette mural, both part of The People’s Gallery.
Commissioned by the Bloody Sunday Trust (web).
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“Free Marwan and all Palestinian political prisoners”. Marwan Barghouti, a leader of the group Fatah, has been in Israeli prison since 2002. He was seen last month in a video showing Israeli’s national security minister taunting the 66-year-old Barghouti in his cell (BBC | Al Jazeera | NPR).
Barghouti and 1,000 other prisoners went on hunger-strike in 2017 in order to win family visits for prisoners; see “Free Marwan Barghouti” in Belfast and in Derry and Barghouti’s quote “Our Chains Will Be Broken Before We Are” in a north Belfast stencil.
The photograph reproduced in this mural, of Barghouti giving the “V” for victory symbol while in handcuffs, can be seen at New Arab.
Divis Street, west Belfast, on the International Wall, where Barghouti’s son Aarab spoke at the launch (youtube).
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The United Kingdom Of Great Britain And Ireland was created in 1801, a reaction to the 1798 Rebellion, led by (amongst others) Wolfe Tone and Henry Joy McCracken, the pair also being founding members of the Society Of United Irishmen in 1791 in Belfast.
In this mural, Tone and McCracken on the left gaze across the “centuries of resistance” from 1798 to 1916 Rising revolutionaries Countess Markievicz and James Connolly, and beyond to Troubles-era figures Maıréad Farrell, Bobby Sands, and Máıre Drumm.
Around the same time as this mural was painted, a Féıle exhibition called ‘Vibrant Colours, Violent Past’ included A Panorama Of Republicanism which contains dozens of figures but again chooses 1798/Tone, 1916/Connolly, and the Troubles/Martin McGuinness as the pivotal moments and figures.
“Comóradh Éırí Amach Na Cásca Bhéal Feırste/Belfast Easter Commemoration. This is the traditional place where on Easter Sunday Belfast republicans gather to honour Ireland’s patriot dead on their way to Milltown Cemetery.” “Honour Ireland’s patriot dead – wear an Easter lily.” “Unbowed, unbroken.”
The Beeechmount-Falls Corner has its own Visual History page, as the most-often painted wall in Belfast.
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This mural celebrates the Irish-language institutions in west Belfast. From left to right, the buildings by the loch are: Gaeltacht Bhóthar Seoıghe, Bunscoıl Phobal Feırste, Raıdıó Fáılte, An Chultúrlann, Teach Ard Na bhFeá, Coláıste Feırste, and Áras Na bhFál. In a sense they are all ripples from the initial drop that was the Shaw’s Road Gaeltacht, established in 1969 and which led quickly to the bunscoıl in 1971 (WP). The NVTv documentary about the Shaw’s Road gaeltacht borrows its title from the slogan motivating the early efforts, “Ná habaır é, déan é” [Don’t say it, do it] – the bunscoıl was not officially recognised until 1985.
Among the pioneers (“ceannródaıthe”) of those early ventures were the Mac Seáın family, who grew up in a house adjacent to the wall on which the new mural is painted: “Tógadh Séamus Mac Seáın, Seán Mac Seáın, agus Caıtlín Mıstéıl (née Mhıc Sheáın) sa teach seo. Bhí an trıúr seo ı measc na gceannródaıthe a bhunaıgh Gaeltacht Bhóthar Seoıghe.”
The mural was commissioned by Spórtlann Na hÉıreann’s Irish-language heritage project “Gael Staır” (Meon Eıle | Belfast Media), with support from Mary’s Gift (Belfast Media), and painted by Aodán Ó Manacháın (Fb). It was unveiled Sunday 10th.
Rodney Drive, St James’s, west Belfast
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“In our community no one walks in the darkness alone.” West Wellbeing (web) offers counselling and suicide-prevention services from its offices in the Dairyfarm centre on the Stewartstown Road. This new mural – by Glen Molly (ig) – is a little further along the road, just past Bell Steel Road.
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Extramural Activity 