The Martin Meehan tarp in Ardoyne Avenue has been removed and the wall whitewashed. At the moment, all there is to be seen is the plaque shown above – Show Me The Man, Martin Meehan 1945 – 2007 – and a Cogús board – “End strip searching in Maghaberry now”.
Carrickfergus United Loyalists portray Peter Robinson, Mike Nesbitt, and Theresa Villiers as the three monkeys who “hear no evil, see no evil, speak no evil”. The evil that they fail to recognize is the oppression of Orange culture in the form of the blocked 2013 parade at the Ardoyne shops. The march was completed and the protest camp dismantled on October 1st. (NewsLetter) The phrase “graduated response” comes from the Unionist response to the collapse of 2014 talks. (Irish News)
Leo Boyd screen-printed a version of his “bird feeder” piece onto the wall in Garfield Street for CNB/HTN, and also (below) the Closed Circuit Camera Book Reader at Keats & Chapman. (See Leo’s tumblr for his “tech heads” and “tele heads” series.)
“Come on, you boys in green!” Here’s a mural from the summer, when Ireland (and Northern Ireland) took part in the European soccer championships. The Euro 2016 trophy is at the centre of an Irish Tricolour.
IRPWA board (and stencil) in Shantallow, Derry, articulating the forms of torture of Irish republicans in “British gaols in Ireland”: isolation, internment, strip searching, and controlled movement.
Five images from the Local Heroes at the Creggan shops: James McLean (footballer), Tony O’Doherty (footballer), David McAuley (Special Olympian who lit the flame to open the 2003 games in Dublin), Charlie Nash (boxer), and Aileen Reid (triathlete) (and, in a separate post, swimmer Liam Ball). The murals were painted by Karl Porter and Donal O’Doherty from UV Arts.
Young people in Derry would spend Saturdays (and many other days) rioting against the British Army presence in the city, which began in August 1969 after the Battle Of The Bogside. Thus, the popular name for this Bogside Artists mural ‘Saturday Matinee’; the official title is “The Rioter”. Part of The People’s Gallery.
The original photograph on which the mural is based is by Clive Limpkin. The rioter himself is perhaps Billy McVeigh.
“Amazing night at Larne – Wholesale gun-running — Thousands of rifles landed — Three-and-a-half million cartidges – Motors from far and near – Astounding achievement — Special To Telegraph”.
The weapons on board the Clyde Valley began their journey on a different ship, the Fanny. However, Fanny’s papers were siezed by Danish authorities, as they thought the weapons were destined for home-rulers in Iceland! The ship escaped in bad weather and Clyde Valley sailed from Glasgow to the Irish sea off Wexford where it met Fanny, took the materiel on board, and temporarily renamed itself Mountjoy II using canvas sheets. From there, it sailed to Larne and then Bangor, off-loading weapons in both places for use by the Ulster Volunteers.
Here are two close-ups of Friz’s The Huntress, with dog straining at the chain within sight of the deer leaping in the background. The piece was painted in Kent Street for CNB16/Hit The North, with Danleo’s Palm Cockatoo in the background.