The two images featured today are of carved panels in the Falls Garden Of Remembrance (with the gold-plated surround removed). The garden commemorates fallen members of (IRA) D company but the panels suggest a wider appreciation of lower Falls residents. The same is also true of the mural in the background of the wide shot (third image, below), for which see Cry “Havoc”.
The third of three new panels celebrating the Apprentice Boys contains a long description of the Shutting Of The Gates in December 1688 and the Siege Of Derry, which was ended with the breaking of the boom of the river Foyle in July 1689.
This is the middle wall on the site of the former Andersonstown RUC station, which has undergone three changes in recent months. The longstanding Fıanna sunburst (see X00350) was painted over with IRPWA stencils (Stop strip searches, End Internment, Justice For The Craigavon 2) which in turn were largely covered with writing by DAZE (see the image below). Most recently, a large Fıanna banner, shown above, has been placed over the wall.
This panel (one of three) of a new mural on the Shankill celebrates the Stirling Protestant Boys Flute Band and its association with the Shankill Road: “Stirling Protestant Boys Flute Band [Fb] were formed in February 2003 and to this day take part in parades across Scotland, England and Northern Ireland. The band has a great connection with our friends from Belfast, especially those from the Greater Shankill area. In November 2012 Stirling Protestant Boys were presented with the battle honours of the Young Citizen Volunteers and the 36th (Ulster) Division. The band would like to thank the people of the Shankill Road for their continued support.”
The mural shows a line of fir trees rather than steel gates but the robins on the spiked rail above give away that we’re on the “peace” line separating loyalist west Belfast from nationalist north Belfast and that the road is still closed. “Seasons Greetings” Belfast-style.
UPDATE Jan 3rd: a similar trompe l’oeil piece by Breandán Clarke could be found at this location previously, showing cars parked on the street (via Old Belfast Photographs/Glenravel History).
“Like a bird on a wire, like a drunk in a midnight choir, I have tried in my way to be free.” – Leonard Cohen Bird On The Wire
Slí Na Gaeltachta (The Gaeltacht Way) is a 2.5-mile trail of twenty-six “art and heritage” stops from the city centre to the Whiterock Road in west Belfast. A gaeltacht is an Irish-speaking region.
See previously: Onwards – memorial mural to Clive Dutton, author of the Dutton Report calling for the regeneration of west Belfast by (in part) developing its Irish-language identity.
Brian “Herbie” McCallum was a 29 year-old attending a contentious loyalist parade to Whiterock Orange Hall, being re-routed by the RUC, when the grenade he was carrying exploded prematurely, killing him instantly. The mural and memorial shown above is at the top of Ainsworth Avenue, close to the spot of the incident. He died in hospital three days later. (CAIN | Border & Border Politics | Irish News article at Nuzhound | Independent)
The masthead of the 1916 proclamation declaring a “Provisional Government of the Irish Republic” to the “People of Ireland” is faithfully reproduced in this éırígí stencil, along with busts of Padraıg Pearse and Tom Clarke. Pearse, Clarke, and the other signatories will likely be familiar faces in the months leading up to Easter 2016, which is at the end of March, and the anniversary of the date itself, April 24th, 1916.
See also Thursday’s post featuring a fly-paper reproduction of the 1916 Proclamation: Brotherhoods.